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the disciple movie story

The master sings a long riff of glissando notes, then invites his students to repeat them. Sitemap | In Marathi, Hindi, English and Bengali. In the New Testament, he is among the first of the disciples called during Jesus' ministry. Sharad is a disaster. In return he receives strict instruction and harsh criticism, but also a legacy of teaching from a legendary female vocalist named Maai, who taught his guru. Chaitanya Tamhane won the newly instituted Amplify Voices Award at the recently concluded Toronto International Film Festival (TIFF) 2020. The Disciple makes a nuanced distinction between subject and the story; the film is not on Indian classical music per se, but rather the visceral world that the disciple occupies. Meanwhile, Sharad also sells the rare CDs of obscure Hindustani musicians. Photo: Chien-Chi Chang/Magnum Photos; Courtesy: Rolex Mentor and Protege Arts Initiative. "It is a love story and I don''t get to play things like that. | Do Not Sell My Personal Information Increasingly, he finds himself on a lonesome path and desolate streets. But as years go by, he starts to wonder whether it’s really possible to achieve the excellence he’s striving for. The portrayal of his riyaaz is not pegged as pure schmaltz but an engagement with life as he fights the pornography of desires on his way to find his true self. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. No matter how long and hard he practices, he seems terribly far behind his master, and much of the film’s suspense is seeing whether he will ever catch up. Captivatingly told, The Disciple evokes memories of Shyam Benegal’s Unusual Concerts about Malikarjun Mansur. He receives the support of "Birdshot" Bivens, the sheriff of the county. A very subjective and deeply contemplative portrayal, The Disciple, becomes a heightened contrast to Tamhane’s debut feature Court (2014) which dealt with the Indian legal system with an objective orientation. Sharad Nerulkar is our artist of interest & classical music is his pursuit. Not as compulsively watchable as its predecessor, the story suffers mainly from the unfamiliarity (in the West) of Indian classical music, which is likely to somewhat cool its appeal for non-Indian audiences. New Delhi, Sep 5 (PTI) Filmmaker Chaitanya Tamhane has charmed the critics with his second feature film "The Disciple", which had its world premier at the 2020 Venice Film Festival. This movie is beautifully directed with on the spot set pieces and full of Indian classical music. The Disciple tells the story of a man who devotes his life to becoming an Indian classical vocalist. The Disciple is a mirror to Indian classical music’s struggle to retain its traditions in a changing India, told through Nerulkar’s coming-of-age story. Unexpectedly, and honestly, he takes the homemade route to sexual relief. Costume designer: Sachin Lovalekar Tamhane, as the editor, manages time to age his protagonist through cinematic devices — from his childhood, as a young adult in 2006 and then in contemporary times. His first film, Court, was an award-winning look at the deadly bureaucracy behind India’s justice system, worthy of a nod from Frederick Wiseman. This film will mark a definite moment in the evolution of Tamhane’s visual style. Chaitanya Tamhane's masterfully composed second feature examines a lifetime journey devoted to the art of Indian classical music. After a two-year writing process, the screenplay emerged out of the earlier play which Tamhane wrote, The Grey Elephants in Denmark (2008). Court, poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars. TWITTER The Anglo-American film was directed by Guy Hamilton who replaced Alexander Mackendrick and starred Burt Lancaster, Kirk Douglas, and Laurence Olivier. In so doing, Father Mike has run directly into conflict with the local Catholic hierarchy. Soon after this, Sharad is introduced to a famous music critic, who arrogantly shoots down his master and even casts vulgar aspersions on Maai. With just two feature films under his belt, Mumbai director and playwright Chaitanya Tamhane has emerged as one of the new stars of Indian art house cinema thanks to a piercing camera that dissects the social and psychological layers of his characters. Chaitanya Tamhane’s The Disciple becomes first Indian film since 1996 to play in main slate of the New York Film Festival Sep 29, 2020 - 4:17 pm IST Here, I see the influence and gains from the Rolex Mentor and Protégé Arts Initiative programme which allowed Tamhane to collaborate with the Mexican filmmaker and Academy Award winner Alfonso Cuarón. AdChoices Chaitanya Tamhane’s new film is a big step towards developing his own visual style and storytelling. More poignantly, in this film we see Michal adhere to his grandfather’s dictum: cinematography is about “what to eliminate/what you don’t want to show”. One can notice the subconscious traces of these legendary filmmakers in the elfin beauty of Sobocinski ’s work that captures the pervasive desolateness of the city and the protagonist, best seen in the sepia portraiture of Sharad driving his motorcycle on the empty street of his promised path; a recurring sequence in the film. The story of Catholic iconoclast Michael Pfleger who made it his mission to transform the drug ravaged south side Chicago community surrounding his parish. Music: Aneesh Pradhan FACEBOOK His writing envelopes the viewer into the quotidian experiences of Hindustani sangeet of the Marathi milieu in Mumbai. The scenario won the best screenplay award at the Venice Film Festival. © 2021 The Hollywood Reporter, LLC. Posted: (3 days ago) Peter's life story is told in the four canonical gospels, the Acts of the Apostles, New Testament letters, the non-canonical Gospel of the Hebrews and other Early Church accounts of his life and death. Download The Disciple (2020) – Bollywood Movie. The Disciple is an ode to music and a salute to Mumbai. This vindicates Tamhane’s trust in his audience as much as his conviction in his screenplay. Narendra Pachkhédé is a critic and writer who splits his time between Toronto, London and Geneva. Like a true disciple, Sharad makes Guru tea, bathes him, massages his legs and uses the little money he makes at a recording studio to help him pay his debts. With his latest offering, Tamhane succeeds in transporting one into another world in just over two-hours, beautifully capturing the erumpent consciousness of Khayal, a genre of Indian classical music. The Maai character reminded me of the exposition of Kishori Amonkar on the very essence of a note in music as she spoke to Amol Palekar in Bhinna Shajda (2011). Filmmakers Chaitanya Tamhane and Alfonso Cuaron. It is in this delicate handling that Tamhane deploys a masterful screenplay to stirring effect. The transitions from present to past at specific moments were beautifully conveyed to us by the director Chaitanya Tamhane. This speaks more to Tamhane’s uncompromising attitude, which bears fruits. The tension foregrounds the lugubrious brooding of Sharad. This comedy event that tells the story of the dreadful year that was – and perhaps still is? In the denouement, the disciple succumbs to the pressures of modernity. These distinct phases are subtle, be it the concert banner or the protagonist’s routine of flipping channels where he lands on the primetime television news show discussing Lynchistan. Mumbai, stripped-off its masses, laid bare, is a devious one which closes on the protagonist. An inertia wraps the persona of the character as the film revolves on this solitude of the artist. The Disciple. To address the issue of diversity, the Amplify Voices Awards are presented to the three best festival feature films by underrepresented filmmakers from the Official Selection. I caught up with the screening of The Disciple at TIFF, where Mumbai-based filmmaker Tamhane’s work was the sole selection from India. The ending, clever and ambiguous at the same time, comes out of the blue and leaves the audience thinking. Cast: Aditya Modak, Arun Dravid, Sumitra Bhave, Kiran Yadnyopavit In a galvanising act, Sharad exits the stage abruptly, abandoning his performance. The film explores issues of racism, the power of the media, and the tension between Pfleger's 'gospel of the streets' versus traditional Church theology. Just how difficult his studies are is brought home in a graceful scene at a concert in a private home, with the family and their guests sitting on the living room floor, listening raptly. 50min | Western | 17 October 1915 (USA) Jim Houston, the "Shootin' Iron" Parson, comes to Barren Gulch to reform the morals of the frontier community. May 19, 2012 • Story selection and rights acquired; idea being crafted into usable script; financing and casting attachments sought; aiming for 'greenlight'. But caveats aside, the film has its own fascination that rises above the type of music being played and sung. Often, he performs with his teacher and guru (Dravid), a white-haired vocalist of sublime gifts who is getting on in years. November 23, 2020 zyllahsblog Uncategorized 0. I hope unlike his protagonist, Tamhane retains his rigour and practice in sustaining the depth of being an artist in a metropolis. Featuring two real, top-notch classical vocalists, Arun Dravid and young Aditya Modak as, respectively, the master and his disciple, the movie resounds with complex, pulsating music sung from the heart and meant to put its audience in a serene, highly meditative mood. With one eye out to winning competitions, the singer-in-training, Sharad (Modak), easily fits into the narrative mold of movies like Whiplash and A Star Is Born as he studies under a fierce disciplinarian and sacrifices his private life to perfect his art. 8:00 AM PDT 9/4/2020 The two other winners are Michelle Latimer’s documentary Inconvenient Indian and Philippe Lacôte’s Night of the Kings. Also Read: ‘The Theme I Explore And The Truth I Strive For Are Personal’: Filmmaker Chaitanya Tamhane. As a producer, Gomber said he would worry about the cost of the South Mumbai apartment that became the set for Gera's story, which revolves around the tender romance between a young widow Ratna (Shome) who has been hired as the domestic help of a wealthy architect, Ashwin. Poems in Prose: The Disciple is Wilde's clever poem told from the pool's point of view while Narcissus gazes lovingly at his reflection. The Disciple tells the story of a Indian classical vocalist who wants to perfect his skills after hearing past stories from his father and his music guru, about the legends in their field. The Disciple is a sublime coming-of-age study of an artist's prolonged pursuit for music. As film theorist André Bazin argued, long takes offer a notion of continuity, thus ‘attributing certain duration to the concept of time’. His mentoring suffuses every aspect of the production, including Michal Sobocinski’s stylised cinematography, capturing the tranquility of the Khayal; the twilight of solitariness and Naren Chandavarkar’s sound design, which abounds in the whisper of Khayal, compels a collective listening. “The Disciple” follows Tamhane’s stellar first feature, “Court,” which also looked at the complex role of music in Indian society, in that case through the lens of a corrupt judicial system. He hails from a legendary family of cinematographers in Poland who were associated with the works of Krzysztof Kieslowski and Andrzej Wajda. And to embark on that quest, you will have to surrender and sacrifice.”. “The Disciple,” the first Indian film in Venice Film Festival’s competition since 2001, is set across three different time frames. The movie received rave reviews from the critics at the carnival. Chaitanya Tamhane recently returned to India with a win from Venice for his 2020 feature film, The Disciple, which premiered at the prestigious Italian film festival. In a year that’s been low-key for movies due to the coronavirus pandemic and related curbs, The Disciple is the only Indian selection at the Toronto International Film Festival (TIFF) in Canada. Cuarón recommending Michal Sobocinski as the cinematographer proves how valuable his role has been in this mentoring process. He’s 24 years old but getting married and having a family are out of the question; tradition says that until the age of 40, the student must simply practice and put such worldly matters aside. The same age as Tamhane, Sobocinski is no ordinary cinematographer. Stories about those who chase mastery of their craft are tricky to get right. It unravels the tale of a Sharad Nerulakar, a vocalist who wants to experience the promise of musical transcendence, but is grappling with his existential woes. EMAIL ME. Although as an actor Modak has a range of expression that hovers around worried or irritated, there is often a look of deep belief in his eyes, and you can feel his musical understanding is authentic. It's a sad story for the most part but that's what makes it realistic and adding classical music just made the experience to another level. Set in the insular middle-class Marathi cultural milieu of Mumbai, the film unfolds with the story of a young musician Sharad, the disciple who has been initiated into the rites of Hindustani classical music complete with reverence and idealism. There are two axes to this narrative: one, the character is shown through three stages—as a child, a young adult and a married man with a child; and, two, the relationship between the character and his guru, the guru’s teacher, and the city. The film’s bow in Venice competition before it heads to Toronto and New York should assure it of a wide swathe of international audiences. We also see Sharad as a young boy, accompanying his father and friends on an overnight train ride to listen to a classical concert by a famous singer held outdoors at dawn. With Aditya Modak, Arun Dravid, Sumitra Bhave, Deepika Bhide Bhagwat. In the role of the dignified, ailing master, Dravid plays without a false step and conveys his absolute confidence in the divine power of traditional music. Movie Rating: (Executive produced by Alfonso Cuaron, Chaitanya Tamhane’s film is a quiet and poignant character study that speaks volumes) Review by John Li THE DISCIPLE (2020) - MovieXclusive.com FAQ Gomber, whose producing credits include internationally acclaimed films "Court" and "The Disciple", asks rhetorically. Each winner received a cash prize of $10,000, made possible by Canada Goose. Terms of Use | Executive producer: Alfonso Cuaron Even the noisy heat and chaos of Mumbai is stilled in shots of Sharad riding his motorbike around an almost deserted city, lost in his thoughts. Director, screenwriter, editor: Chaitanya Tamhane M18, 128 minutes, opens Dec 3 exclusively at The Projector, 3 stars. Will the boy’s dedication survive these attacks on his beliefs, and his growing interaction with the world? His counterpart is his music teacher, Guruji, essayed by Arun Dravid, a veteran musician and a disciple of Kishori Amonkar. Aditya Modak, a trained Hindustani classical singer, captures the essence of the character Sharad Nerulakar, the disciple, a tremulous soul caught in the bind of modernity and tradition. DP Michal Sobocinski shoots the concerts and most of the action in austere head-on, long-held shots and in quiet colors that look as natural and unfiltered as possible. Sharad's character was often seen observing isolation. World sales: New Europe Film Sales (North America: Endeavor Content) Production designers: Pooja Talreja, Ravin D. 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